Confirmed. Gaurav Sabnis is a faux libertarian. He wrote this piece. Quote:
Today there is a similar debate going on about Microsoft. It is being portrayed as this giant evil corporation whose domination can never be shaken off by the world. And that government regulation is the best way to "protect" us from these anti-competitive measures of the the company.

I don't think so. I believe Microsoft deserves its success, and that Anti-Trust laws are unfair, anti-merit and extremely Orwellian. I also believe that Microsoft will meet its match unless it keeps satisfying its customers
Perhaps, he hasn't read OSS guru/hacker Eric Raymond's articles. Perhaps, this is a good time to begin. He should start by reading this article by Raymond and critique it on his blog. The title of the article is "Why Libertarians should not love Bill Gates." [Btw, one of the authors of the Halloween documents mentioned in that article was Sepia Mutineer, Vinod.]

More essays by Raymond are here. "Why am I an anarchist" is a must-read.
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  1. I had shared this with friends on August 15th.
    On India's independence day, a tribute to a naked gay Jewish Iranian mystic who has a dargah in Delhi. Let us celebrate the independence of thought. 
    In "The Jew in the Lotus', Rodger Kamenetz accompanies various hues of Jewish rabbis to India where they discuss deep religious concepts with many Buddhist teachers, including the Dalai Lama. This experience transforms him from being an agnostic to being an agnostic who is proud of his Jewish identity. 
    Kamenetz narrates a wonderful story of an Armenian Jewish naked sufi saint called Sarmad who collaborated with Dara Shikoh to write the Jewish chapter of his interfaith book. Sarmad was deeply in love with a Hindu (male) called Abhi Chand and when the authorities forced them to part, Sarmad shed all his clothes and lived naked from then on. Some believe that he converted to Islam while others believe that he did not [1]. After Aurangzeb murdered his brother, he began rounding up his associates and sure enough, Sarmad was one of them. He was called before Aurangzeb and asked to recite the shahadah (la ilaha illa-lahu - There is no God, but God) and Sarmad recited the first half (There is no God). When Aurangzeb asked him to continue, Sarmad said, "Forgive me, but I am so caught up in the negative, that I cant not yet come up to the positive.I cannot tell a lie." Of course, he was invoking the kabbalistic conception of God, Ain Sof. He was beheaded. Later, the Jama Masjid coopted him after Aurangzeb's contemporaries embellished the story with incredible stories about Sarmad's severed head narrating the remaining part of the shahadah. 
    Kamenetz visited Hazrat Sarmad's dargah in Delhi where he is still revered today. The irony is that he might have been a sufi mystic, neither fully Jewish, nor Hindu, nor a Muslim. Some, like the Italian visitor Manucci believed, perhaps mistakenly according to modern researchers that he was an atheist since he saw him praising 'Islam with Mohammedans, Hinduism with Hindus" and after Aurganzeb imprisoned him, "he had a wonderful relationship with Jesuit fathers". So, this 'hazrat', who might have been all or none of the above is worshipped as a saint today. 
    Kamenetz - remember, he was an agnostic - went to his tomb and said kaddish. He wrote, "It all felt quite right, a recognition of our predecessor in dialogue - or a martyr to intolerance, take your pick. That there was such a thing as a Jewish Muslim saint who opened yet another door"
    [1]
    The Identity of a Mystic: The Case of Sa'id Sarmad, a Jewish-Yogi-Sufi Courtier of the Mughals by Nathan Katz - Access this paper at http://www.jstor.org
    [2] Maulana Azad was an admirer of Sarmad. You can read his essay 'Sarmad Shahid' and Sarmad's rubaiyat here 

    (c) Arun Simha
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  2. Two of Maithili Sharan Gupt's popular poems 'साकेत' and 'सखि वे..' retell historical events from the perspective of women who were left behind by their husbands. While 'साकेत' views the Ramayana from Urmila's eyes, 'सखि वे.' speaks of Siddhartha's abandonment of Yashodhara. [HT: Random conversation with my mother who mentioned that she studied साकेत during her B.A in Bangalore, way back in the 1950s.]

    सखि वे मुझसे कह कर जाते

    सखि, वे मुझसे कहकर जाते,
    कह, तो क्या मुझको वे अपनी पथ-बाधा ही पाते ?
    मुझको बहुत उन्होंने माना
    फिर भी क्या पूरा पहचाना ?
    मैंने मुख्य उसी को जाना
    जो वे मन में लाते ।
    सखि, वे मुझसे कहकर जाते ।
    स्वयं सुसज्जित करके क्षण में,
    प्रियतम को, प्राणों के पण में,
    हमीं भेज देती हैं रण में -
    क्षात्र-धर्म के नाते ।
    सखि, वे मुझसे कहकर जाते ।
    हु‌आ न यह भी भाग्य अभागा,
    किसपर विफल गर्व अब जागा ?
    जिसने अपनाया था, त्यागा;
    रहे स्मरण ही आते !
    सखि, वे मुझसे कहकर जाते ।
    नयन उन्हें हैं निष्ठुर कहते,
    पर इनसे जो आँसू बहते,
    सदय हृदय वे कैसे सहते ?
    गये तरस ही खाते !
    सखि, वे मुझसे कहकर जाते ।
    जायें, सिद्धि पावें वे सुख से,
    दुखी न हों इस जन के दुख से,
    उपालम्भ दूँ मैं किस मुख से ?
    आज अधिक वे भाते !
    सखि, वे मुझसे कहकर जाते ।
    गये, लौट भी वे आवेंगे,
    कुछ अपूर्व-अनुपम लावेंगे,
    रोते प्राण उन्हें पावेंगे,
    पर क्या गाते-गाते ?
    सखि, वे मुझसे कहकर जाते ।
    Listen to a wonderful rendition of a part of the poem here.

    (c) Arun Simha
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  3. A birth anniversary we missed this month was that of Mr. Shiyalli Ramamrita Ranganathan (born August 9, 1892), known as the father of library sciences in India. [1] [2]
    According to the Encyclopedia Britannica, "Ranganathan’s chief technical contributions to library science were in classification and indexing theory. His Colon Classification (1933) introduced a system that is widely used in research libraries around the world and that has affected the evolution of such older systems as the Dewey Decimal Classification. Later he devised the technique of “chain indexing” for deriving subject-index entries. Other works of his included Classified Catalogue Code (1934), Prolegomena to Library Classification (1937), Theory of the Library Catalogue (1938), Elements of Library Classification (1945), Classification and International Documentation (1948), Classification and Communication (1951), and Headings and Canons (1955). His Five Laws of Library Science (1931) was widely accepted as a definitive statement of the ideal of library service. He also drafted plans for a national and several state library systems, founded and edited several journals, and was active in numerous professional associations."
    It turns out that the his colon classification system that was not favored due to the adoption of the Dewey Decimal system is now much better suited for computer-search. "S. R. Ranganathan was the first to introduce the word "facet" in Library and Information Science (LIS), and the first to consistently develop the theory of facet analysis. His Colon system was the first classification to apply the principles of facet analysis." [3] [4] [5]
    The man seems interesting too. Here's an article on him. [6] 

    [6] http://garfield.library.upenn.edu/essays/v7p037y1984.pdf


    (c) Arun Simha
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  4. Let me weep
    My cruel fate,
    And that I 
    should have freedom.

    The duel infringes

    within these twisted places,
    in my sufferings
    I pray for mercy.

    Philippe Jarousssky singing Handel's Lascia ch'io pianga from Rinaldo. Back in the day, the falsetto range was the domain of castratos but as NPR put it, M. Jaroussky is "still intact". His voice is not for everyone and you may recoil after hearing this for the first time. Then Handel will overwhelm you with his music and you will begin to appreciate the confluence of religion, mythology, and music in the Baroque era. 

    "He's a countertenor who achieves that high pitch through vocal technique — singing in a 'head voice,' the way the way a female soprano would, rather than in his speaking register. It's the reason, he says, that he'll never sound exactly like a real castrato."

    (c) Arun Simha
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  5. I was reading the biography of James Herriot this morning. While describing his childhood, author Graham Lord quotes from 'Murder, Murder, Polis', a collection of Glasgow street songs compiled by Maureen Sinclair. Kids often sang songs to eliminate (or choose) the 'it' in a hide-and-seek game during the turn of the previous century. One song went thus;

    Eeeny meeny macka racka
    Em oh dominacka
    Alla backa sugaracka
    Om pom push

    Obviously, my eyes lit up and I scoured the net and discovered many web pages that contained references to this ditty. It has also been used in a TV show in the UK. I wonder where C. Ramchandra heard it and how it inspired him to compose his most famous tune.

    (c) Arun Simha
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  6. ‘Instant City, Life and death in Karachi’ is a non-fiction work by Steve Inskeep, the host of NPR’s All Things Considered. It offers great insights into how this Hindu majority trading port of 400,000 became a bustling Muslim metropolis of 13m and how its transformation offers lessons to other cities around the globe.

    Inskeep begins by exploring the secular nature of the city. At the time of Pakistan’s independence, Karachi’s population was 51% Hindu. Most businesses were Hindu owned and the largest shipping company was owned by a Parsi, Dawn columnist Ardeshir Cowasjee’s father. Jinnah’s dogmatic belief that Muslims in India comprised a separate nation led to the formation of Pakistan. The economic reality of a city run by Hindus pushed him towards a more pragmatic compromise. This arguably led him to make the famous speech about his vision of a Pakistan as a secular and not theocratic state. However, Karachi’s minority population was at the mercy of the incoming refugees who were in no mood to heed to, what Inskeep termed in an interview, as the nuances of a lawyer. He quotes from various editorials by Punniah of the Sindh Observer who warned about the city being swamped by the onslaught of incoming refugees. The city was indeed, swamped, and Punniah had to flee to Bangalore. Cowasjee’s father was persuaded to stay.

    The city became 90% Muslim overnight, but they newcomers unleashed other divisions to fight over. Whilst the city was relatively liberal during the 1970s, Zia’s policies changed its profile during the ‘80s. Bars and nightclubs were banned. Plans to make Karachi into a Macao for wealthy Arabs were shelved. The Pathan immigration during the ‘80s and ‘90s brought them into conflict with the Mohajirs with each group trying to defend its territory. Millions of illegal settlements were built, and then legalized by succeeding governments that were split along ethnic lines. The land mafia made a killing by capturing public land outside Karachi and settling refugees of their own kind. Public services such as electricity, garbage-removal and water were illegally tapped from government sources or were offered at a premium. Obviously, the poorest of the poor squatted in these to-be-made-pukka settlements. Homes were built on top of each other until they started to sink below the level of the roads. Sewers were blocked, leading to flooding during the monsoons. Interestingly enough, an NGO official is quoted as calling the political mafiosi as ‘land suppliers’. Efficient governance being absent, a bizarre spontaneous order has taken hold in Karachi with multiple parallel administrations that provide basic services to the illegal, semi-legal and newly-legal settlements. NGOs have resigned themselves to working with these ‘land-suppliers’.

    Perhaps apocryphally, Jinnah is supposed to have said that every Pakistani government would be worse than its predecessor. Every administration, from Ayub Khan to Zardari, has attempted to solve the problem of Karachi, but have failed. They city was too fluid to govern in any organized manner. A Greek city planner was hired by Ayub Khan to build extensions to Karachi in order to house the poor migrants, but the adminstrators did not follow his plans for low cost housing. Daily wage workers cannot be ‘banished’ to the city’s boundaries since it costs them exorbitant rates in terms of time and money to make it to the center of the city for work. They soon migrate back to the center and prefer to squat.

    The affluent have increasingly cordoned themselves off in Defence and Clifton. There are some notable idealists who believe in the city and its people and are trying their best to affect change. Inskeep befriends an affluent couple, idealistic architects who do not have a generator in their home. They prefer to suffer as the city suffers since they believe that their children should not be isolated from the less privileged. The mayor Mustafa Kamal, a MQM member, goes from project to project, country to country, to build infrastructure and attract invesment. A doctor, Shireen Jamali, works countless hours in her public hospital to administer medical aid to people who’ve been wounded in terrorist bombings and shootings. She gets used to the sight of severed heads being brought in ambulances every time a bomb explodes in the city. In fact, on one terrible occasion, a bomb explodes outside the emergency ward while she is receiving Shia patients who were bombed during an Ashura procession and were brought there by the admirable Edhi’s ambulance services. A second bomb that is placed inside a computer monitor outside the ward is diffused by Edhi’s son with a screwdriver. It is a bomb that is constructed with explosives surrounded quite beautifully by hundreds of symmetrically arranged metal nuts that aims to inflict maximum civilian damage. Journalists have to perform a tricky balancing act for fear of violent retribution. Thus, Cowasjee begins a column with the words ‘To digress’ and pummels Zardari for giving a high profile job to a relative, but in the succeeding paragraphs he suggests that a garden be named after Benazir.

    Despite the violence, the city offers hope and employment to millions. Buildings are built, and workers are hired. The pathan who fled the violent northwest frontier, or the Mohajir whose grandparents fled India make do. They have ambitions for themselves and for the city. Cities around the world are undergoing such transformation. Cities such as Mexico City, Rio, Mumbai, Delhi, Los Angeles, Tokyo, and Seoul have expanded miles beyond the limits that their planners envisaged. Cities burgeon as nations transform from rural economies to industrialized urban ones. No centralized government can hope to cope with the staggering rate of growth. The informal economy often laps the organized sector in providing vital services to the desperate migrants. They also create divisions to stay in power. Inskeep does not offer solutions. He is a journalist and not a policy analyst, and his focus is to highlight the stresses that a mega city undergoes during a few turbulent decades.

    ‘Instant City’ is a warning to other cities, such as Mumbai and Bangalore which are ethnic tinderboxes even if the divides are not in the same magnitude as those in Karachi. If efficient and firm governance that values law and order is not firmly established in these cities, the administration will surrender its basic responsibilities to parallel forces. If that happens, the very attributes that attracted investment and economic migrants to its bosom, will push them away.

    You can listen to an interview with Steve Inskeep here.

    (c) Arun Simha
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  7. I liked 'Fire in Babylon', the documentary on the great West Indian cricket team of the 1980s. It seems to have been made for an audience that comprises of cricket lovers from generations that did not get to see that team first hand. My generation developed an appreciation of the struggles of WI cricketers during the pre 1960 era from C. L. R. James' 'Beyond a boundary'. In that work, he spoke about the intersection of colonialism, racism and marxism and how the understanding of the West Indian experience was necessary to develop an appreciation of WI cricket. In fact, the first words of the book were, "What do they know of cricket who only cricket know?" affirming that events outside the cricket field affected what happened inside in equal measure. 'Fire in Babylon' does an adequate job of book-ending that work by showcasing how the succeeding generation of cricketers took it to the next level.

    While Constantine and Worrell were influenced by the Calypso generation, Llyod's cricketers were deeply rooted in the rebellious tradition of reggae, and the socialist/marxist movements of that era. While the documentary does not cover it, the countries that comprise the West Indies had been granted independence and they chose to go in different political directions. Jamaica, was an on again, off again Socialist nation with a white man Michael Manley leading it for
    many years. T&T and Guyana, countries with substantial Indian populations went somewhat the same way. But countries like Grenada got violent revolutions. By most appraisals the economic policies of these countries were disastrous and WI cricket stepped in to not only unify a fragmented country, but also provide pride in...something...

    And this is where the documentary gets problematic. It covers the macho pride of the cricket team as reflected by the confidence provided by their fast bowlers. Most of the cricketers spoke about black pride and the mandatory references to Rastafarianism were made. The documentary reinforces how these players were heavily guided by black power, but leaves out the inconvenient fact that the cricketers of Indian origin felt alienated in the new atmosphere. Kallicharan, Jumadeen, Bacchus, Shivnarine et al were effectively sidelined during that era.
    The film makers should have conferred with Kallicharan who had decided to stay loyal to WI cricket by not joining Packer. He captained the official team and was effectively shunned when the rebels got back. This was what prompted him to go to South Africa. A fall from grace for a person who had effectively won them the '75 world cup through his batting.

    Secondly, the footage is inconsistent. A reference to the 77 Packer supertest is shown with footage of a photo shoot of the 1981 tripartite series (Eng, WI in Aus). Gavaskar is showing walking off in Melbourne 1981 when the speakers are talking about the infamous '76 Jamaican test. Plus, there was no introduction to that test. It followed a humiliating defeat at the hands of India. Set a target of 400+, India scored 406-4 in Port of Spain to win. The WI team had three spinners in that test. Llyod decided once and for all that he would never rely on spinners again.

    But that's nitpicking. The documentary was good for a layman to understand the astounding talent that the turbulent times created. And if not for anything, the film redeemed itself by showing footage of two incredible feats; Dujon flying to what would effectively be third leg slip to catch a nick, and Viv stepping on his front foot to sweep-pull a short ball from a paceman.

    So I give it a 3 star rating (out of 4).

    (c) Arun Simha
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  8. Sing to the tune of "For he is an Englishman" - Gilbert and Sullivan, HMS Pinafore. The doggerel is based on the current Shashi Tharoor-Twitter brouhaha. For the humour impaired, this is supposed to be sarcastic and is based on this classic quote.

    For he is a very sad man
    For he is a very sad man

    The Congressman has said it
    and it calls for many a repeat
    when solitude and wine meet
    that tweeting is no great feat
    For he is a very sad man

    And he could be from any nation
    rich, poor or the middle station
    he could be your distant relation
    even indulges in self fornication
    For he is a very sad man

    Thinks he has no cause for worry
    so he writes in a bloody hurry
    the high command makes merry
    now the news is not so dreary
    For he is a very sad man

    He always hits the whiskey bar
    while he stays at the five star
    often behaves like a great czar
    doesn’t even drive his own car
    For he is a very sad man

    Hope the Congress lynch mob
    lets him keep his big job
    else Vinod Mehta will rob
    he’ll write and we’ll all sob
    For he is a very sad man
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  9. Morbid quiz fact of the day: Nike's slogan "Just do it" comes from murderer Gary Gilmore's statement "Let's do it" to the firing squad that executed him. Wow. Here's the creator Dan Wieden talking about it.

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  10. Fill in the 5 blanks. Film related hint below the poem

    Sailing to Byzantium
    - William Butler Yeats

    THAT is __ _____ ____ _____ ____. The young
    In one another's arms, birds in the trees
    - Those dying generations - at their song,
    The salmon-falls, the mackerel-crowded seas,
    Fish, flesh, or fowl, commend all summer long
    Whatever is begotten, born, and dies.
    Caught in that sensual music all neglect
    Monuments of unageing intellect.

    An aged man is but a paltry thing,
    A tattered coat upon a stick, unless
    Soul clap its hands and sing, and louder sing
    For every tatter in its mortal dress,
    Nor is there singing school but studying
    Monuments of its own magnificence;
    And therefore I have sailed the seas and come
    To the holy city of Byzantium.

    O sages standing in God's holy fire
    As in the gold mosaic of a wall,
    Come from the holy fire, perne in a gyre,
    And be the singing-masters of my soul.
    Consume my heart away; sick with desire
    And fastened to a dying animal
    It knows not what it is; and gather me
    Into the artifice of eternity.

    Once out of nature I shall never take
    My bodily form from any natural thing,
    But such a form as Grecian goldsmiths make
    Of hammered gold and gold enamelling
    To keep a drowsy Emperor awake;
    Or set upon a golden bough to sing
    To lords and ladies of Byzantium
    Of what is past, or passing, or to come.

    ==
    Hint: The blanks gave the title to a famous novel published in 2005। This was made into a film that won 4 academy awards in 2007, including Best Picture.
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About Me
Bay Area, Strategy Manager, Haas- U. C. Berkeley, Marathons
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